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Sala clásica de museo en Liverpool con columnas, cuadros enmarcados, bustos de mármol y visitantes de espaldas recorriendo la galería.
Imagen alusiva generada con IA de una sala clásica de museo con público. · Imagen generada con IA para Erick Prometeo Media

Liverpool museums board adds art and heritage voices

Oliver Enwonwu and Katie Wray join the National Museums Liverpool board until 2030, while Dinah Birch, John Belchem, Lynn Collins and Anna Farthing are…

--- The context --- The board of National Museums Liverpool gains two new members and renews four others, in a decision by the Secretary of State for Digital, Culture, Media and Sport that brings together backgrounds in art, heritage, universities and social representation. The change is staggered: the new appointments start earlier than the reappointments, so the institution keeps its memory while adding voices focused on public engagement, cultural heritage and inclusive and culturally confident communities across the city. --- The facts --- Oliver Enwonwu and Katie Wray were appointed from 1 October 2026 to 30 September 2030. Enwonwu is a cultural leader, artist, curator and publisher who has served as President of the Society of Nigerian Artists, sat on the Board of the National Gallery of Art, Nigeria, leads the Ben Enwonwu Foundation and founded the publication Omenka. Enwonwu has lectured at Stanford University, Florida International University and Christie's Education, and has taken part in public conversations at Tate Modern. His artistic practice explores memory, identity, spirituality and cultural inheritance, and his interests include collections, placemaking and the role of museums in inclusive communities. Wray is a Director in Deloitte's Real Estate team, where she advises on complex regeneration and placemaking projects across the UK and leads the firm's national heritage team. Her expertise spans planning, architectural conservation, heritage and property development, after earlier roles at Arup and The Co-operative Group and work on Mayfield and NOMA in Manchester. Dinah Birch, John Belchem, Lynn Collins and Anna Farthing were reappointed from 1 March 2027 to 28 February 2031. Birch is Emeritus Professor of English Literature at the University of Liverpool, a specialist in Victorian literature and John Ruskin, General Editor of The Oxford Companion to English Literature and a former Booker Prize judge. Belchem is Emeritus Professor of History at the same university, which he joined in 1980 and where he stayed for 33 years as Head of History, Dean of the Faculty of Arts and Pro-Vice-Chancellor. Collins has been Director of Representation and Organising at the Royal College of Midwives since March 2022. Farthing is a creative producer and cultural consultant working on programming, strategy and regeneration. --- The positions --- The official framework states that the Trustees of National Museums Liverpool are not remunerated and that the appointments were made in accordance with the Governance Code on Public Appointments, under a process regulated by the Commissioner for Public Appointments. None of the appointees declared any significant political activity in the last five years, a category that includes holding office, public speaking, making a recordable donation or candidature for election, according to the official information released with the appointments. --- What remains unknown --- The announcement does not set out the concrete priorities the renewed board will adopt for the coming years, nor specific projects attached to each profile, so the practical effect of this mix on programming and audiences will have to be judged over time. --- Unanswered questions --- How will Enwonwu's experience in art and public engagement translate into concrete board decisions? What weight will Wray's knowledge of regeneration and heritage carry in Liverpool's future projects? Will the renewed board keep the balance between academic continuity and openness to new audiences? --- EPM analysis --- The resulting board brings together very different paths that complement each other: artistic creation and publishing, conservation and urban development, literature and local history, labour representation and cultural production applied to conflict, slavery, climate change and public health. That breadth matters because public museums do not only guard collections: they also shape stories about the city, its Irish community, its race relations and its cultural identity, all themes present in the work of several reappointed members. 📌 EPM Take: In EPM's view, the strength of this renewal lies in the mix around one table: art, heritage, universities and social representation, serving without pay and under a public appointments code. If that diversity becomes open programming, careful stewardship of Liverpool's heritage and more included communities, the board will have delivered on its promise. If it stays as brilliant profiles on paper, the change will be smaller. The staggered terms running to 2030 and 2031 leave enough time to demand visible and measurable results from the whole board.
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